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<p class="MsoNormal" style="margin-bottom:12.0pt">Dear Colleagues,<br>
<br>
This is a reminder that proposals for our special issue of <i>Technical Communication </i>about storytelling are due on Thursday, October 1. I have attached the CFP and copied the full text below. If anyone has questions or wants to run possible ideas by us,
please get in touch at <a href="mailto:gerdingj1@xavier.edu">gerdingj1@xavier.edu</a> and
<a href="mailto:kvealey@wcupa.edu">kvealey@wcupa.edu</a>. Thank you!<o:p></o:p></p>
<p class="MsoNormal">Best,<br>
<br>
Jeff Gerding and Kyle Vealey<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">----<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Call for Papers<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b>Special Issue of <i>Technical Communication </i>on</b><o:p></o:p></p>
<p class="MsoNormal">“The Work of Storytelling in Technical Communication” <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b>Guest Editors:</b><o:p></o:p></p>
<p class="MsoNormal">Kyle P. Vealey, <i>West Chester University</i><o:p></o:p></p>
<p class="MsoNormal">Jeffrey M. Gerding, <i>Xavier University</i><o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b>Overview of Special Issue </b><o:p></o:p></p>
<p class="MsoNormal">Stories are everywhere in our public and professional lives. From casual conversations and social media posts to published explanations of complex scientific information, the act of storytelling affords humans a rhetorical capacity to engage
with one another and the world around us. Stories bring cause and effect together into a cohesive event, thus helping us make sense of and impose—even just temporarily—a sense of stability to an uncertain world. Through stories, we are also able to articulate
the complexity of firsthand experience into knowledge that is social, shareable, and lasting. That is, storytelling helps us communicate complex ideas to one another, particularly in ways that not only increase comprehension but also engagement, curiosity,
and even excitement. Stories and storytelling are, and always have been, at the heart of TC. With its emphasis on characters, settings, descriptive language, metaphor, and narrative structure, stories are arguably one of the most effective ways of communicating
complex technical and scientific information to a diverse audience of non-experts. <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">In keeping with <i>Technical Communication</i>’s mission to publish research about the practical applications of technical communication (TC) theory, this special issue explores the vital, rhetorical role storytelling plays in TC as a field
and profession. It is no surprise then that TC scholars have long sustained a sporadic interest in stories and storytelling over the years (Barton & Barton, 1988; Blyler & Perkins, 1999; Perkins & Blyler 1999; Lemanski, 2014; Small, 2017). Much of this interest
stems from Barton and Barton’s (1988) early call to explore “the pervasiveness of narration in TC,” despite it being largely “devalued as a mode of discourse,” and to embark on a “more conscious and informed exploitation of narration in TC” (pp. 36-45). And
stories and narratives have indeed shown up in TC scholarship across a diverse range of topics, such as DIY instructions (Van Ittersum, 2014), automotive repair work (Cushman, 2015), history of government nuclear facilities (Hirst, 2017), nonprofit organizations
(Dush, 2017), pedagogical approaches to studying/teaching policy (Moore, 2013), scientific narratives and explanations (Forbes, 1999; Johnson Sheehan & Rodes, 1999; Journet, 2009), UX and human-centered design (Ballentine, 2010; Jones, 2016; Bacha, 2018),
organizational crises and change (Faber, 2002; Marsen, 2014), empowerment of black entrepreneurs (Jones, 2017), YouTube beauty community tutorials (Ledbetter, 2018), instructional design (Andrews, Hull, & Donahue, 2009), multigenre coordination in marketing
campaigns (McNely, 2017), and historical accounts of marriage and maternity policies at IBM (Petersen & Moeller, 2016).<o:p></o:p></p>
<p class="MsoNormal"> <o:p></o:p></p>
<p class="MsoNormal">While this scholarship clearly demonstrates a keen and varied interest in the intersections of storytelling and TC, it nevertheless belies Perkins and Blyler’s (1999) prediction that storytelling would be a well-respected and thriving form
of knowledge-making in TC. As Smalls (2017) has recently argued, the field of TC is still somewhat cautious in fully embracing stories, and its lack of a fuller, more direct engagement with it may be due to storytelling’s continued unfair association “with
folksy (i.e., nonempirical) campfire scenes or of professors and students not having a clear way to account for the role of stories in research that meets the field’s standards of rigor. Stories may be viewed as too personal, too incomplete, too anecdotal
to qualify as formal research in our field” (p. 235).<o:p></o:p></p>
<p class="MsoNormal"> <o:p></o:p></p>
<p class="MsoNormal">We believe the time is right to reexamine the power and potential of storytelling. In a recent article in the
<i>Harvard Business Review</i>, Karen Mazurkewich (2018), head of Communications and Marketing at MaRS Discovery District, a start-up innovation consulting firm, reports hearing the continuous refrain “if only we could tell our stories better” from practitioners
in technical and scientific industries (p. 1). Mazurkewich thus sees a pervasive need for technical experts, particularly those working in start-ups and technical businesses, to be better storytellers able to craft effective narratives about their technical
innovations that resonate with people. Similarly, in the field of environmental management and conservation, Anneli Sundin, Karolin Andersson, and Robert Watt (2018) call for the “use of storytelling to communicate results from systematic reviews and systematic
maps” in order to “transfer evidence and communicate it to multiple audiences (decision-makers, environmental managers, the public, etc.)” (p. 3). Despite the increasing popularity of storytelling as a form of science communication, they note, skepticism still
exists about the subjective or manipulative risk of transferring scientific information into narrative form. Ultimately, they call for greater “space and possibilities [to be] available to researchers, reviewers and review teams who are motivated to explore
novel methods for translating knowledge and communicate it to multiple audiences” (p. 5). Bridging that pernicious gap between expert and non-expert, storytelling has the power to not only increase stakeholder comprehension but also stakeholder engagement
and investment across technical, scientific, and medical fields. <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">TC’s hesitancy to directly engage with storytelling as a legitimate form of knowledge-making is also evidenced by the relative lack of special issues and edited collections on the topic. Since the publication of Blyler and Perkins’ special
issue of the <i>Journal of Business and Technical Communication</i> on narrative and their edited collection,
<i>Narrative in Professional Communication</i>,<i> </i>twenty years ago<i>, </i>there have been no formal calls or invitations for scholars to bring together their expertise on storytelling and the rhetorical work of TC in a published work. Our special issue
of <i>Technical Communication </i>hopes to fill that gap and provide an opportunity for a deeper exploration of storytelling in/as TC. <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b>Topics to Consider for the Special Issue<o:p></o:p></b></p>
<p class="MsoNormal">In their preface to <i>Narrative and</i> <i>Professional Communication,
</i>Perkins and Blyler (1999) recall deliberately choosing to keep the initial call for papers and its definition of narrative as open and inclusive as possible so that potential contributors would come to the topic with their own perspectives, values, and
understandings of stories (p. ix). Doing so, they suggest, invited a broad range of scholarly contributions that “both legitimize narrative in professional communication as a vibrant focus of research, pedagogic, and practical interest and offer many possible
directions for future work” (p. ix). In keeping with the spirit of Perkin and Blyler’s inclusive approach, our goal for this special issue is to gather together diverse and innovative perspectives on storytelling and its role in TC today. Our CFP invites research
articles that, in some form or fashion, address the multifaceted role storytelling plays in contexts of technical and scientific communication, including but not limited to: <b><o:p></o:p></b></p>
<p class="MsoNormal"><o:p> </o:p></p>
<ul style="margin-top:0in" type="disc">
<li class="MsoNormal" style="mso-list:l1 level1 lfo1">Storytelling as a methodology for TC research and practice<o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Storytelling as a pedagogical approach to TC for graduate or undergraduate students<o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Stories and storytelling practices in technical, scientific, or medical workplaces<o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Storytelling in human-centered design or user experience research<o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Storytelling as an instrument for social justice in TC<o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Storytelling in/as information or experience architecture<o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Diverse perspectives and voices in storytelling <o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Stories of failure, uncertainty, and lessons learned<o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Storytelling about big data, archival work, data visualizations, etc.<o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Storytelling as an embodied and/or material practice<o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Stories in/of extra-institutional TC<o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Intercultural, global, non-western approaches to storytelling in TC<o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Storytelling in public scientific initiatives or programs<o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Stories about/from writing program administrators and TC program directors<o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Storytelling that pays specific attention to genre, form, medium, and style.<o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Storytelling in public planning, policy writing, and government service design<o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Stories of activism, organizing, community engagement, and civic participation <o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Visual forms of storytelling in TC (i.e., comics, infographics, etc.) <o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Storytelling in the aftermath of natural or human-instigated disasters<o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Stories of complex environmental problems or crises<o:p></o:p></li><li class="MsoNormal" style="mso-list:l1 level1 lfo1">Stories of interdisciplinary collaboration and academic/industry partnerships<o:p></o:p></li></ul>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b>Types of Manuscript for the Special Issue</b><o:p></o:p></p>
<p class="MsoNormal">Proposals for the following types of manuscripts will be considered for publication in the special issue: <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<ul style="margin-top:0in" type="disc">
<li class="MsoNormal" style="mso-list:l2 level1 lfo2">Original research articles<o:p></o:p></li><li class="MsoNormal" style="mso-list:l2 level1 lfo2">Review articles<o:p></o:p></li><li class="MsoNormal" style="mso-list:l2 level1 lfo2">Focused commentary<o:p></o:p></li><li class="MsoNormal" style="mso-list:l2 level1 lfo2">Teaching cases<o:p></o:p></li><li class="MsoNormal" style="mso-list:l2 level1 lfo2">Case studies<o:p></o:p></li></ul>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Deadline for submission of proposals is October 1, 2020. <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b>Submission Procedures for Proposal</b><o:p></o:p></p>
<ul style="margin-top:0in" type="disc">
<li class="MsoNormal" style="mso-list:l0 level1 lfo3">Cover page containing your name, institutional or company affiliation, and email address.<o:p></o:p></li><li class="MsoNormal" style="mso-list:l0 level1 lfo3">400-word proposal<o:p></o:p></li><li class="MsoNormal" style="mso-list:l0 level1 lfo3">All submissions will be reviewed by at least two readers, whether you are submitting a research article, review article, focused commentary, teaching case, or case study.<o:p></o:p></li><li class="MsoNormal" style="mso-list:l0 level1 lfo3">Proposals should be sent as a .docx, .doc, or .rtf file attached to an email message with the subject line: “The Work of Storytelling in TC” <o:p></o:p></li><li class="MsoNormal" style="mso-list:l0 level1 lfo3">Submit proposals or direct any questions via email to Kyle P. Vealey (<a href="mailto:kvealey@wcupa.edu">kvealey@wcupa.edu</a>) and Jeff Gerding (<a href="mailto:gerdingj1@xavier.edu">gerdingj1@xavier.edu</a>)<o:p></o:p></li></ul>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b>Timeline:</b><o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">October 1, 2020 Proposals for special issue due<o:p></o:p></p>
<p class="MsoNormal">November 1, 2020 Notifications sent out to authors<o:p></o:p></p>
<p class="MsoNormal">February 15, 2021 Authors submit manuscripts for review<o:p></o:p></p>
<p class="MsoNormal">April 1, 2021 Reviews sent back to authors<o:p></o:p></p>
<p class="MsoNormal">July 1, 2021 Authors submit revised manuscripts<o:p></o:p></p>
<p class="MsoNormal">November 1, 2021 Publication of special issue<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b>References<o:p></o:p></b></p>
<p class="MsoNormal">Andrews, D.H., Hull, T.D., Donahue, J.A. (2009). Storytelling as an instructional method: Descriptions and research questions.
<i>The Interdisciplinary Journal of Problem-based Learning, 3</i>(2): 6-23<i>. </i><o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Bacha, J. A. (2018). Mapping use, storytelling, and experience design user-network tracking as a component of usability and sustainability.
<i>Journal of Business and Technical Communication, 32</i>(2): 198-228.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Ballentine, B. D. (2010). Requirements specifications and anticipating user needs: Methods and warnings on writing development narratives for new software.
<i>Technical Communication, 57</i>(1): 26-43.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Barton, B.F. & Barton, M.S. (1988). Narration in technical communication.
<i>Journal of Business and Technical Communication, 2</i>(1): 36-48. <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Blyler, N. & Perkins, J. (1999). Guest editors’ introduction: Culture and the power of narrative.
<i>Journal of Business and Technical Communication, 13</i>(3): 245-248. <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Cushman, J. (2015). Write me a better story: Writing stories as a diagnostic and repair practice for automotive technicians.
<i>Journal of Technical Writing and Communication, 45</i>(2): 189-208.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Dush, L. (2017). Nonprofit collections of digital personal experience narratives: An exploratory study.
<i>Journal of Business and Technical Communication, 31</i>(2): 188-221.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Faber, B. (2002). <i>Community action and organizational change: Image, narrative, and identity.
</i>Carbondale, IL: Southern Illinois University Press. <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Forbes, C. (1999). Getting the story, telling the story: The science of narrative, the narrative of science. In J. M. Perkins & N. Blyler (Eds.),
<i>Narrative and Professional Communication</i> (pp. 79–92). Stamford, CT: Ablex.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Hirst, R. (2017). Stories from the secret city: Ray Smith’s art of narrative as rhetoric.
<i>Technical Communication, 64</i>(1): 6-26.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Johnson Sheehan, R. & Rode, S. (1999). On scientific narrative: Stories of light by Newton and Einstein.
<i>Journal of Business and Technical Communication, 13</i>(3): 336-358.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Jones, N. N. (2016). Narrative inquiry in human-centered design.
<i>Journal of Technical Writing and Communication, 46</i>(4): 471-492.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Jones, N.N. (2017). Rhetorical narratives of black entrepreneurs: The business of race, agency, and cultural empowerment.
<i>Journal of Business and Technical Communication, 31</i>(3): 319-349.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Journet, D. (2010). The resources of ambiguity: Context, narrative, and metaphor in Richard Dawkins’s
<i>The Selfish Gene</i>. <i>Journal of Business and Technical Communication, 24</i>(1): 29-59. <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Ledbetter, L. (2018). The rhetorical work of YouTube’s beauty community: Relationship- and identity-building in user-created procedural discourse.
<i>Technical Communication Quarterly, 27</i>(4): 287-299. <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Lemanski, S. (2014). Technical storytelling: The power of narrative in digital communication.
<i>Intercom, 61</i>(6): 7-12.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Marsen, S. (2014). ‘Lock the doors’: Toward a narrative-semiotic approach to organizational crisis.
<i>Journal of Business and Technical Communication, 28</i>(3): 301-326. <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Mazurkewich, K. (2018). Technical experts need to get better at telling stories.
<i>Harvard Business Review, </i>April 13, 2018. <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">McNely, B. (2017). Moments and metagenres: Coordinating complex, multigenre narratives.
<i>Journal of Business and Technical Communication, 31</i>(4): 443-480. <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Moore, K. (2013). Exposing hidden relations: Storytelling, pedagogy, and the study of policy.
<i>Journal of Technical Writing and Communication, 43</i>(1): pp. 63–78.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Perkins, J. & Blyler, N. (1999). <i>Narrative and professional communication,
</i>New York, NY: Ablex Publishing. <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Petersen, E.J. & Moeller, R.M. (2016). Using antenarrative to uncover systems of power in mid-20th century policies on marriage and maternity at IBM.
<i>Journal of Technical Writing and Communication, 46</i>(3): 362-386.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Small, N. (2017). (Re)kindle: On the vale of storytelling to technical communication.
<i>Journal of Technical Writing and Communication, 47</i>(2): 234-253.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Sundin, A., Andersson, K., & Watt, R. (2018). Rethinking communication: integrating storytelling for increased stakeholder engagement in environmental evidence synthesis.
<i>Environmental Evidence</i>, 7(1): 1-6.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="margin-bottom:12.0pt">Van Ittersum, D. (2014). Craft and narrative in DIY instructions.
<i>Technical Communication Quarterly, 23</i>(3): 227-246. <o:p></o:p></p>
<p class="MsoNormal"><b>About the Guest Editors<o:p></o:p></b></p>
<p class="MsoNormal">Kyle P. Vealey, Ph.D. is an Assistant Professor of English at West Chester University. His research and teaching specializations include technical communication, rhetoric of science, visual rhetoric, and civic engagement. His work across
these areas focuses on the rhetorical work of storytelling, specifically the telling and circulating of stories that make sense of complex and ill-defined problems. His scholarship has appeared in
<i>Journal of Business and Technical Communication, Journal of Technical Writing and Communication, IEEE Transactions on Professional Communication, Rhetoric Review, Journal of Interactive Technology and Pedagogy,
</i>and <i>Programmatic Perspectives. </i><o:p></o:p></p>
<p class="MsoNormal"> <o:p></o:p></p>
<p class="MsoNormal">Jeffrey M. Gerding, Ph.D., is an Assistant Professor of English at Xavier University. His teaching and research focuses on the intersection of technical communication, digital rhetoric, and the rhetoric of civic engagement. More specifically,
his work examines the ways in which businesses, governments, and other institutions seek to openly integrate citizens into their work practices while balancing competing and often conflicting interests of other stakeholders. His scholarship has appeared in
<i>Journal of Business and Technical Communication, IEEE Transactions on Professional Communication,
</i>and<i> Journal of Interactive Technology and Pedagogy</i>.<o:p></o:p></p>
<p class="MsoNormal"><br>
<br>
<o:p></o:p></p>
<p class="MsoNormal" style="margin-bottom:1.5pt"><b><span style="font-size:9.0pt;font-family:"Helvetica",sans-serif;color:#0C2340">Jeffrey M. Gerding, Ph.D.</span></b><span style="font-size:9.0pt;font-family:"Helvetica",sans-serif;color:#0C2340"> (</span><span style="font-size:9.0pt;font-family:"Helvetica",sans-serif;color:#333333">He/Him/His)</span><b><span style="font-size:9.0pt;font-family:"Helvetica",sans-serif;color:#0C2340"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="margin-bottom:1.5pt"><span style="font-size:9.0pt;font-family:"Helvetica",sans-serif;color:#333333">Assistant Professor, Department of English, Xavier University<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:1.5pt"><span style="font-size:9.0pt;font-family:"Helvetica",sans-serif;color:#333333">3800 Victory Pkwy Cincinnati, OH 45207 | Hinkle Hall 230<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:1.5pt"><span style="font-size:9.0pt;font-family:"Helvetica",sans-serif;color:#333333"><a href="mailto:gerdingj1@xavier.edu"><span style="color:#0563C1">gerdingj1@xavier.edu</span></a> | (513) 745-3492 |
<a href="http://www.jeffreygerding.org/"><span style="color:#0563C1">www.jeffreygerding.org</span></a>
<o:p></o:p></span></p>
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